Desire is the magnetic power which keeps together the composing elements of our ‘self ‘.In proportion to its intensity, it joins and packs with more or
Desire is the magnetic power which keeps together the composing elements of our ‘self ‘.In proportion to its intensity, it joins and packs with more or
I simply dip the quill in the zafuAnd words drill at the tipThen I harvest them on a notebook.That is all there is to it.
Que faire des gens que l’on ne parvient pas à aimer tout de suite ? Comment accueillir ceux-là même qui fouettent nos chevaux intérieurs et
If Buddhism speaks to me, it is because, when I read the texts or when I listen to the talks, they reflect practical experiences I’ve
Bouddhisme Mahayana et christianisme disent tout deux la même chose, ultimement. La différence est que le christianisme s’enfonce davantage dans les considérations intermédiaires, il y
The shutter that keeps quickly slamming against the window is suddenly smashed by the night wind.This does not bother me at all. The car humming
S’asseoir en zazen : voir la mort.Se la prendre en plein face.La voir apparaître avec l’alignement du regardLorsqu’il n’y a plus nulle part où fuir.
As a child, he had to be protected against her incomprehensible assaults.She raised waves of chaos and yelled sounds of havoc, under the crashing sky,
Certaines nuisances sont indicibles, invisiblesElles ne peuvent se connaitre que lorsqu’elles nous ont quittées.“quelque chose est sorti’C’est la phrase, le mot qui sort sans créer gare,
If I do not choose to have faith in the human being, life is only an acid apprehension.It is unlivable. By rotating the angle I
When I’m overwhelmed and suffocatingYour words … Claiming inanity, this is what I always do.For there’s not enough space within meTo let your words unfold
The bird lands on the garden wall.In the house, the cat. A window between them.Suddenly the cat starts running to the garden.In a snap, the
I : La croix est aussi un enseignement de posture. Verticalité de la colonne et horizontalité des bras.Dans le corps du pratiquant, les deux axes
Which of the text or the author is the broadest ? I thought for a long time that the text was always wider than the
The four lines recited through Buddhist sects in general and in Zen Soto in particular are generally understood are a ritual passages addressed to others